Three selectable filter types (Low Pass, Band Pass, and Hi-Pass) and a frequency range of 100 Hz – 4 kHz allow the AF9 to function with virtually any instrument or input signal. Maxon has married the coolest aspects of auto-wah and swept filter effects in this modern addition to their respected 9 Series. Threshold and Peak sliders control the degree of effect while Range and Drive switches determine range and direction of the filter sweep. Opto-coupler circuitry produces the shimmering, watery filtering of legendary vintage units. Maxon has married the coolest aspects of auto-wah and swept filter effects in the AF-9 Auto Filter Effects Pedal, a modern addition to their respected 9 Series. The Maxon AF9 Auto Filter takes the most desirable auto-wah and swept filter effects and offers them up in a compact, user-friendly package. While change may be inevitable, if it ain’t broke, then don’t fix it. So, you can expect the latest version of this classic quacker to stand up to the original. While these changes may have been necessary, Maxon saw no reason to update the AF-9’s classic, watery, 3-dimensional filtering that so many players have to come to count on over the years. Maxons AF-9 Auto Filter has been a favorite of musicians since its release back in 1981 - offering a potent mix of auto-wah and swept filter effects that. Charger compatible with Maxon AD80 Analog Delay & AF-9 Auto Filter. This change was made out of necessity due to the discontinuation of the fader pots that had been used on this model for nearly 40 years (original release date was 1981). Shop for Maxon auto corporation products online at discounted prices on Ubuy Maldives. Specifically, the Sensitivity & Peak faders have been replaced by rotary pots and the slider switches are now toggles. You may have noticed that the Maxon AF-9 Auto Filter has undergone a facelift. The AF-9 is Maxons version of the venerable Mu-Tron III envelope filter circuit (original version, not HAZ reissue). I stayed for my part in the EBS Bass IQ, whatever the instrument used. If you like the result as it is, great, if not, go your way. In conclusion, the effect of quality, with large gaps of flexibility, especially for a game with bass. Very well on a skyscraper full of possibilities, less flexible low (only the combination "BP / Low" keeps the low frequencies to use other combinations will require investment in a looper type LS2, just to keep a sufficient proportion of his "clean") Superb sound quality with a very distinctive grain. For comparison a bit far-fetched, does one imagine one without delay settings "Feedback" or "Time"? FOR SALE Up for sale is a vintage AF-9 Ibanez pedal made by Maxon. I find this setting to select the essential "character" of the effect: very nervous, quiet, hyper progressive (arpeggios or webs for example). Wholesale set the duration of a "cycle" effect (even if it responds primarily to the dynamics). The attack would choose (watch the eyes) Tiou Tiiiou Tiiiiiiiiiiiiou or. Like the one of the most coveted early auto-wah pedals, the Mutron III, the AF-9 creates its effect via a CdS Photocoupler rather than a VCA, giving it a wa. I do not understand the absence of such a setting. The Maxon AF-9 Auto Filter is an analog envelope follower pedal that creates an automatic wah effect based on the player's pick attack. Here we have a Ferrari, but with only two speeds. (Critical setting) and Peak.īlack spot in my opinion: it lacks a knob of attack. We must look a little, and set in order: Hi or Low (guitar or bass), Range HP / Band / BP (BP for low only) Up or Down (direction of the opening of the filter), and finally Sense. Auto-Wha, reacts to the dynamics of the game
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